Birds Of Prey Review: After breaking up with the Joker, Harley Quinn (Margot Robbie) quickly discovers she’s no longer immune from the thugs of Gotham City. Besides a bunch of people she ticked off, she’s also hunted by the misogynistic and sadistic gangster Roman Sionis or Black Mask (Ewan McGregor) with his accomplice Victor Zsasz (Chris Messina). Additionally, a young girl Cassandra (Ella Jay Basco) gets caught in the middle of Harley’s mayhem, along with Renee Montaya (Rosie Perez), Dinah Lance (Jurnee Smollett-Bell) and Helena Bertinelli (Mary Elizabeth Winstead). The women need to team up to have a fighting chance against Black Mask and his goons.
From the outset, it’s evident that this film’s colour palette and vibe is bright and intentionally erratic. Director Cathy Yan’s vision borrows from other irreverent superhero and action films before it but maintains a thrilling, manic tonality of its own. This is conveyed through the characterisation, action set pieces, production design and humour. Bringing that vision to life is a capable cast with the magnetic Margot Robbie in the lead. She embodies the frantic energy of Harley Quinn, putting all the character’s eccentricities on display while being inherently compelling. Jurnee Smollett-Bell is a revelation as Dinah Lance/ Black Canary, showing emotional depth. Mary Elizabeth Winstead is a scene-stealer as Helena Bertinelli/ Huntress. Ewan McGregor relishes playing the diabolical Black Mask to make a deranged villain apt for this film.
Besides the director, due credit goes to writer Christina Hodson for setting the female-centric narrative tone without the need for a blatantly feminist angle. However, while the female characters are always front and centre, some beats feel misplaced now and then, and enough screentime isn’t afforded to the entire gang. But, the well-choreographed action in collaboration with ‘John Wick’ franchise director Chad Stahelski is stunning to behold and easily amongst the best action sequences in comic book films till date. These elements combine to make ‘Birds of Prey’ a funny, irreverent, extravagant and delightfully violent comic book film that’s a blast to witness. Greenlight the sequel already!
.......................................................................................................................................................................................................From the outset, it’s evident that this film’s colour palette and vibe is bright and intentionally erratic. Director Cathy Yan’s vision borrows from other irreverent superhero and action films before it but maintains a thrilling, manic tonality of its own. This is conveyed through the characterisation, action set pieces, production design and humour. Bringing that vision to life is a capable cast with the magnetic Margot Robbie in the lead. She embodies the frantic energy of Harley Quinn, putting all the character’s eccentricities on display while being inherently compelling. Jurnee Smollett-Bell is a revelation as Dinah Lance/ Black Canary, showing emotional depth. Mary Elizabeth Winstead is a scene-stealer as Helena Bertinelli/ Huntress. Ewan McGregor relishes playing the diabolical Black Mask to make a deranged villain apt for this film.
Besides the director, due credit goes to writer Christina Hodson for setting the female-centric narrative tone without the need for a blatantly feminist angle. However, while the female characters are always front and centre, some beats feel misplaced now and then, and enough screentime isn’t afforded to the entire gang. But, the well-choreographed action in collaboration with ‘John Wick’ franchise director Chad Stahelski is stunning to behold and easily amongst the best action sequences in comic book films till date. These elements combine to make ‘Birds of Prey’ a funny, irreverent, extravagant and delightfully violent comic book film that’s a blast to witness. Greenlight the sequel already!
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